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The Works of Lucian of Samosata


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This is the master index for the four volume Fowler and Fowler translation of the works of Lucian of Samosata, which includes most of Lucian's works. Partial contents: Volume I: Dialogues of the Gods; Prometheus On Caucasus; Voyage To The Lower World. Volume II: The Dependent Scholar; Hermotimus, Or The Rival Philosophies; Alexander The Oracle-monger. Volume III: Toxaris: A Dialogue Of Friendship; Dionysus, An Introductory Lecture; Anacharsis, A Discussion Of Physical Training. Volume IV: Dialogues of the Hetaerae; Demosthenes, An Encomium; Saturnalia.

This book has 943 pages in the PDF version. This translation by H. W. Fowler and F. G. Fowler was originally published in 1905.

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Excerpt from 'The Works of Lucian of Samosata'

With the exception of a very small number of statements, of which the truth is by no means certain, all that we know of Lucian is derived from his own writings. And any reader who prefers to have his facts at first rather than at second hand can consequently get them by reading certain of his pieces, and making the natural deductions from them. Those that contain biographical matter are, in the order corresponding to the periods of his life on which they throw light, The Vision, Demosthenes, Nigrinus, The Portrait-study and Defence (in which Lucian is Lycinus), The Way to write History, The double Indictment (in which he is The Syrian), The Fisher (Parrhesiades), Swans and Amber, Alexander, Hermotimus (Lycinus), Menippus and Icaromenippus (in whichMenippus represents him), A literary Prometheus, Herodotus, Zeuxis, Harmonides, The Scythian, The Death of Peregrine, The Book-fancier, Demonax, The Rhetorician's Vade mecum, Dionysus, Heracles, A Slip of the Tongue, Apology for 'The dependent Scholar.' Of these The Vision is a direct piece of autobiography; there is intentional but veiled autobiography in several of the other pieces; in others again conclusions can be drawn from comparison of his statements with facts known from external sources.

Lucian lived from about 125 to about 200 A.D., under the Roman Emperors Antoninus Pius, M. Aurelius and Lucius Verus, Commodus, and perhaps Pertinax. He was a Syrian, born at Samosata on the Euphrates, of parents to whom it was of importance that he should earn his living without spending much time or money on education. His maternal uncle being a statuary, he was apprenticed to him, having shown an aptitude for modelling in the wax that he surreptitiously scraped from his school writing-tablets. The apprenticeship lasted one day. It is clear that he was impulsive all through life; and when his uncle corrected him with a stick for breaking a piece of marble, he ran off home, disposed already to think he had had enough of statuary. His mother took his part, and he made up his mind by the aid of a vision that came to him the same night.

It was the age of the rhetoricians. If war was not a thing of the past, the shadow of the pax Romana was over all the small states, and the aspiring provincial's readiest road to fame was through words rather than deeds. The arrival of a famous rhetorician to lecture was one of the important events in any great city's annals; and Lucian's works are full of references to the impression these men produced, and the envy they enjoyed. He himself was evidently consumed, during his youth and early manhood, with desire for a position like theirs. To him, sleeping with memories of the stick, appeared two women, corresponding to Virtue and Pleasure in Prodicus's Choice of Heracles--the working woman Statuary, and the lady Culture. They advanced their claims to him in turn; but before Culture had completed her reply, the choice was made: he was to be a rhetorician. From her reminding him that she was even now not all unknown to him, we may perhaps assume that he spoke some sort of Greek, or was being taught it; but he assures us that after leaving Syria he was still a barbarian; we have also a casual mention of his offering a lock of his hair to the Syrian goddess in his youth.

He was allowed to follow his bent and go to Ionia. Great Ionian cities like Smyrna and Ephesus were full of admired sophists or teachers of rhetoric. But it is unlikely that Lucian's means would have enabled him to become the pupil of these. He probably acquired his skill to a great extent by the laborious method, which he ironically deprecates inThe Rhetorician's Vade mecum, of studying exhaustively the old Attic orators, poets, and historians.

He was at any rate successful. The different branches that a rhetorician might choose between or combine were: (1) Speaking in court on behalf of a client; (2) Writing speeches for a client to deliver; (3) Teaching pupils; (4) Giving public displays of his skill. There is a doubtful statement that Lucian failed in (1), and took to (2) in default. His surviving rhetorical pieces (The Tyrannicide, The Disinherited, Phalaris) are declamations on hypothetical cases which might serve either for (3) or (4); and The Hall, The Fly, Dipsas, and perhaps Demosthenes, suggest (4). A common form of exhibition was for a sophist to appear before an audience and let them propose subjects, of which he must choose one and deliver an impromptu oration upon it.

Whatever his exact line was, he earned an income in Ionia, then in Greece, had still greater success in Italy, and appears to have settled for some time in Gaul, perhaps occupying a professorial chair there. The intimate knowledge of Roman life in some aspects which appears in The dependent Scholar suggests that he also lived some time in Rome. He seems to have known some Latin, since he could converse with boatmen on the Po; but his only clear reference (A Slip of the Tongue, 13) implies an imperfect knowledge of it; and there is not a single mention in all his works, which are crammed with literary allusions, of any Latin author. He claims to have been during his time in Gaul one of the rhetoricians who could command high fees; and his descriptions of himself as resigning his place close about his lady's (i.e. Rhetoric's) person, and as casting off his wife Rhetoric because she did not keep herself exclusively to him, show that he regarded himself, or wished to be regarded, as having been at the head of his profession.

This brings us to about the year 160 A.D. We may conceive Lucian now to have had some of that yearning for home which he ascribes in the Patriotism even to the successful exile. He returned home, we suppose, a distinguished man at thirty-five, and enjoyed impressing the fact on his fellow citizens in The Vision. He may then have lived at Antioch as a rhetorician for some years, of which we have a memorial in The Portrait-study. Lucius Verus, M. Aurelius's colleague, was at Antioch in 162 or 163 A.D. on his way to the Parthian war, and The Portrait-study is a panegyric on Verus's mistress Panthea, whom Lucian saw there.

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