Format: Global Grey free PDF, epub, Kindle ebook
Pages (PDF): 135
Publication Date: 1941
Download links are below the donate buttons
Donate with PayPal (using either a Paypal account or credit/debit card).
Donate via Donorbox using the secure payment gateway Stripe (with credit/debit card)Donate
Between the Acts is the final novel by Virginia Woolf, published in 1941 shortly after her suicide. The novel takes place in a country house somewhere in England, just before the Second World War. It is the day when the annual pageant is to be performed in the grounds of the house, which is owned by Bartholomew Oliver, a widower and retired Indian Army officer. His sister Lucy, who is also living in the house, is slightly eccentric but harmless. Oliver has a son, Giles, who has a job in the city and is restless and frustrated. His wife, Isa, is staying at the house with her two children and has lost interest in Giles. She is attracted to a local gentleman farmer, Haines, although the relationship goes no further than eye contact. In the course of the day, Mrs Manresa and her friend William Dodge turn up and stay for the pageant. The pageant has been written by Miss La Trobe, a strange and domineering spinster. The day is interspersed with events leading up to the pageant.
More books you might like:
It was a summer's night and they were talking, in the big room with the windows open to the garden, about the cesspool. The county council had promised to bring water to the village, but they hadn't.
Mrs. Haines, the wife of the gentleman farmer, a goosefaced woman with eyes protruding as if they saw something to gobble in the gutter, said affectedly: "What a subject to talk about on a night like this!"
Then there was silence; and a cow coughed; and that led her to say how odd it was, as a child, she had never feared cows, only horses. But, then, as a small child in a perambulator, a great cart-horse had brushed within an inch of her face. Her family, she told the old man in the arm-chair, had lived near Liskeard for many centuries. There were the graves in the churchyard to prove it.
A bird chuckled outside. "A nightingale?" asked Mrs. Haines. No, nightingales didn't come so far north. It was a daylight bird, chuckling over the substance and succulence of the day, over worms, snails, grit, even in sleep.
The old man in the arm-chair--Mr. Oliver, of the Indian Civil Service, retired--said that the site they had chosen for the cesspool was, if he had heard aright, on the Roman road. From an aeroplane, he said, you could still see, plainly marked, the scars made by the Britons; by the Romans; by the Elizabethan manor house; and by the plough, when they ploughed the hill to grow wheat in the Napoleonic wars.
"But you don't remember . . ." Mrs. Haines began. No, not that. Still he did remember--and he was about to tell them what, when there was a sound outside, and Isa, his son's wife, came in with her hair in pigtails; she was wearing a dressing-gown with faded peacocks on it. She came in like a swan swimming its way; then was checked and stopped; was surprised to find people there; and lights burning. She had been sitting with her little boy who wasn't well, she apologized. What had they been saying?
"Discussing the cesspool," said Mr. Oliver.
"What a subject to talk about on a night like this!" Mrs. Haines exclaimed again.
What had he said about the cesspool; or indeed about anything? Isa wondered, inclining her head towards the gentleman farmer, Rupert Haines. She had met him at a Bazaar; and at a tennis party. He had handed her a cup and a racquet--that was all. But in his ravaged face she always felt mystery; and in his silence, passion. At the tennis party she had felt this, and at the Bazaar. Now a third time, if anything more strongly, she felt it again.
"I remember," the old man interrupted, "my mother. . . ." Of his mother he remembered that she was very stout; kept her tea-caddy locked; yet had given him in that very room a copy of Byron. It was over sixty years ago, he told them, that his mother had given him the works of Byron in that very room. He paused.
"She walks in beauty like the night," he quoted.
"So we'll go no more a-roving by the light of the moon."
Isa raised her head. The words made two rings, perfect rings, that floated them, herself and Haines, like two swans down stream. But his snow-white breast was circled with a tangle of dirty duckweed; and she too, in her webbed feet was entangled, by her husband, the stockbroker. Sitting on her three-cornered chair she swayed, with her dark pigtails hanging, and her body like a bolster in its faded dressing-gown.
Mrs. Haines was aware of the emotion circling them, excluding her. She waited, as one waits for the strain of an organ to die out before leaving church. In the car going home to the red villa in the cornfields, she would destroy it, as a thrush pecks the wings off a butterfly. Allowing ten seconds to intervene, she rose; paused; and then, as if she had heard the last strain die out, offered Mrs. Giles Oliver her hand.
But Isa, though she should have risen at the same moment that Mrs. Haines rose, sat on. Mrs. Haines glared at her out of goose-like eyes, gobbling, "Please, Mrs. Giles Oliver, do me the kindness to recognize my existence. . . ." which she was forced to do, rising at last from her chair, in her faded dressing-gown, with the pigtails falling over each shoulder. Pointz Hall was seen in the light of an early summer morning to be a middle-sized house. It did not rank among the houses that are mentioned in guide books. It was too homely. But this whitish house with the grey roof, and the wing thrown out at right angles, lying unfortunately low on the meadow with a fringe of trees on the bank above it so that smoke curled up to the nests of the rooks, was a desirable house to live in. Driving past, people said to each other: "I wonder if that'll ever come into the market?" And to the chauffeur: "Who lives there?"
The chauffeur didn't know. The Olivers, who had bought the place something over a century ago, had no connection with the Warings, the Elveys, the Mannerings or the Burnets; the old families who had all intermarried, and lay in their deaths intertwisted, like the ivy roots, beneath the churchyard wall.