The Home and the World
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The Home and the World (Ghare Baire) is a 1916 novel by Rabindranath Tagore. Set in 20th century India, the book examines a rising nationalistic feeling, especially that which is associated with a religious element. It had parallels in the real world, with the National Independence Movement, which was taking place in India at that time.
This book has 188 pages in the PDF version, and was originally published in 1916.
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Excerpt from 'The Home and the World'
Mother, today there comes back to mind the vermilion mark at the parting of your hair, the sari which you used to wear, with its wide red border, and those wonderful eyes of yours, full of depth and peace. They came at the start of my life's journey, like the first streak of dawn, giving me golden provision to carry me on my way.
The sky which gives light is blue, and my mother's face was dark, but she had the radiance of holiness, and her beauty would put to shame all the vanity of the beautiful.
Everyone says that I resemble my mother. In my childhood I used to resent this. It made me angry with my mirror. I thought that it was God's unfairness which was wrapped round my limbs--that my dark features were not my due, but had come to me by some misunderstanding. All that remained for me to ask of my God in reparation was, that I might grow up to be a model of what woman should be, as one reads it in some epic poem.
When the proposal came for my marriage, an astrologer was sent, who consulted my palm and said, "This girl has good signs. She will become an ideal wife."
And all the women who heard it said: "No wonder, for she resembles her mother."
I was married into a Rajah's house. When I was a child, I was quite familiar with the description of the Prince of the fairy story. But my husband's face was not of a kind that one's imagination would place in fairyland. It was dark, even as mine was. The feeling of shrinking, which I had about my own lack of physical beauty, was lifted a little; at the same time a touch of regret was left lingering in my heart.
But when the physical appearance evades the scrutiny of our senses and enters the sanctuary of our hearts, then it can forget itself. I know, from my childhood's experience, how devotion is beauty itself, in its inner aspect. When my mother arranged the different fruits, carefully peeled by her own loving hands, on the white stone plate, and gently waved her fan to drive away the flies while my father sat down to his meals, her service would lose itself in a beauty which passed beyond outward forms. Even in my infancy I could feel its power. It transcended all debates, or doubts, or calculations: it was pure music.
I distinctly remember after my marriage, when, early in the morning, I would cautiously and silently get up and take the dust of my husband's feet without waking him, how at such moments I could feel the vermilion mark upon my forehead shining out like the morning star.
One day, he happened to awake, and smiled as he asked me: "What is that, Bimala? What are you doing?"
I can never forget the shame of being detected by him. He might possibly have thought that I was trying to earn merit secretly. But no, no! That had nothing to do with merit. It was my woman's heart, which must worship in order to love.
My father-in-law's house was old in dignity from the days of the Badshahs. Some of its manners were of the Moguls and Pathans, some of its customs of Manu and Parashar. But my husband was absolutely modern. He was the first of the house to go through a college course and take his M.A. degree. His elder brother had died young, of drink, and had left no children. My husband did not drink and was not given to dissipation. So foreign to the family was this abstinence, that to many it hardly seemed decent! Purity, they imagined, was only becoming in those on whom fortune had not smiled. It is the moon which has room for stains, not the stars.
My husband's parents had died long ago, and his old grandmother was mistress of the house. My husband was the apple of her eye, the jewel on her bosom. And so he never met with much difficulty in overstepping any of the ancient usages. When he brought in Miss Gilby, to teach me and be my companion, he stuck to his resolve in spite of the poison secreted by all the wagging tongues at home and outside.
My husband had then just got through his B.A. examination and was reading for his M.A. degree; so he had to stay in Calcutta to attend college. He used to write to me almost every day, a few lines only, and simple words, but his bold, round handwriting would look up into my face, oh, so tenderly! I kept his letters in a sandalwood box and covered them every day with the flowers I gathered in the garden.
At that time the Prince of the fairy tale had faded, like the moon in the morning light. I had the Prince of my real world enthroned in my heart. I was his queen. I had my seat by his side. But my real joy was, that my true place was at his feet.
Since then, I have been educated, and introduced to the modern age in its own language, and therefore these words that I write seem to blush with shame in their prose setting. Except for my acquaintance with this modern standard of life, I should know, quite naturally, that just as my being born a woman was not in my own hands, so the element of devotion in woman's love is not like a hackneyed passage quoted from a romantic poem to be piously written down in round hand in a school-girl's copy-book.
But my husband would not give me any opportunity for worship. That was his greatness. They are cowards who claim absolute devotion from their wives as their right; that is a humiliation for both.