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Darkwater, Voices from Within the Veil
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Pages (PDF): 193
Publication Date: 1920
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Darkwater: Voices From Within the Veil incorporates autobiographical information as well as essays, spirituals, and poems. Several of its essays are personal in nature, with obvious emotional rhetoric. The style maintains a religious tone and his spirituality is a common thread in many of the individual essays. Described in varying tones of black and brown, a Christ-like figure of racial hope is prevalent, signifying the coming moment of racial confrontation and eventual salvation. In his chapter called "The Damnation of Women," Du Bois seeks to elevate women by acknowledging their labor in the home, the workplace and the black church. The chapter has been described as one of the first proto-feminist analyses by a male intellectual.
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I was born by a golden river and in the shadow of two great hills, five years after the Emancipation Proclamation. The house was quaint, with clapboards running up and down, neatly trimmed, and there were five rooms, a tiny porch, a rosy front yard, and unbelievably delicious strawberries in the rear. A South Carolinian, lately come to the Berkshire Hills, owned all this—tall, thin, and black, with golden earrings, and given to religious trances. We were his transient tenants for the time.
My own people were part of a great clan. Fully two hundred years before, Tom Burghardt had come through the western pass from the Hudson with his Dutch captor, "Coenraet Burghardt," sullen in his slavery and achieving his freedom by volunteering for the Revolution at a time of sudden alarm. His wife was a little, black, Bantu woman, who never became reconciled to this strange land; she clasped her knees and rocked and crooned:
"Do bana coba—gene me, gene me!
Ben d'nuli, ben d'le—"
Tom died about 1787, but of him came many sons, and one, Jack, who helped in the War of 1812. Of Jack and his wife, Violet, was born a mighty family, splendidly named: Harlow and Ira, Cloë, Lucinda, Maria, and Othello! I dimly remember my grandfather, Othello,—or "Uncle Tallow,"—a brown man, strong-voiced and redolent with tobacco, who sat stiffly in a great high chair because his hip was broken. He was probably a bit lazy and given to wassail. At any rate, grandmother had a shrewish tongue and often berated him. This grandmother was Sarah—"Aunt Sally"—a stern, tall, Dutch-African woman, beak-nosed, but beautiful-eyed and golden-skinned. Ten or more children were theirs, of whom the youngest was Mary, my mother.
Mother was dark shining bronze, with a tiny ripple in her black hair, black-eyed, with a heavy, kind face. She gave one the impression of infinite patience, but a curious determination was concealed in her softness. The family were small farmers on Egremont Plain, between Great Barrington and Sheffield, Massachusetts. The bits of land were too small to support the great families born on them and we were always poor. I never remember being cold or hungry, but I do remember that shoes and coal, and sometimes flour, caused mother moments of anxious thought in winter, and a new suit was an event!
At about the time of my birth economic pressure was transmuting the family generally from farmers to "hired" help. Some revolted and migrated westward, others went cityward as cooks and barbers. Mother worked for some years at house service in Great Barrington, and after a disappointed love episode with a cousin, who went to California, she met and married Alfred Du Bois and went to town to live by the golden river where I was born.
Alfred, my father, must have seemed a splendid vision in that little valley under the shelter of those mighty hills. He was small and beautiful of face and feature, just tinted with the sun, his curly hair chiefly revealing his kinship to Africa. In nature he was a dreamer,—romantic, indolent, kind, unreliable. He had in him the making of a poet, an adventurer, or a Beloved Vagabond, according to the life that closed round him; and that life gave him all too little. His father, Alexander Du Bois, cloaked under a stern, austere demeanor a passionate revolt against the world. He, too, was small, but squarish. I remember him as I saw him first, in his home in New Bedford,—white hair close-cropped; a seamed, hard face, but high in tone, with a gray eye that could twinkle or glare.
Long years before him Louis XIV drove two Huguenots, Jacques and Louis Du Bois, into wild Ulster County, New York. One of them in the third or fourth generation had a descendant, Dr. James Du Bois, a gay, rich bachelor, who made his money in the Bahamas, where he and the Gilberts had plantations. There he took a beautiful little mulatto slave as his mistress, and two sons were born: Alexander in 1803 and John, later. They were fine, straight, clear-eyed boys, white enough to "pass." He brought them to America and put Alexander in the celebrated Cheshire School, in Connecticut. Here he often visited him, but one last time, fell dead. He left no will, and his relations made short shrift of these sons. They gathered in the property, apprenticed grandfather to a shoemaker; then dropped him.
Grandfather took his bitter dose like a thoroughbred. Wild as was his inner revolt against this treatment, he uttered no word against the thieves and made no plea. He tried his fortunes here and in Haiti, where, during his short, restless sojourn, my own father was born. Eventually, grandfather became chief steward on the passenger boat between New York and New Haven; later he was a small merchant in Springfield; and finally he retired and ended his days at New Bedford. Always he held his head high, took no insults, made few friends. He was not a "Negro"; he was a man! Yet the current was too strong even for him. Then even more than now a colored man had colored friends or none at all, lived in a colored world or lived alone. A few fine, strong, black men gained the heart of this silent, bitter man in New York and New Haven. If he had scant sympathy with their social clannishness, he was with them in fighting discrimination. So, when the white Episcopalians of Trinity Parish, New Haven, showed plainly that they no longer wanted black Folks as fellow Christians, he led the revolt which resulted in St. Luke's Parish, and was for years its senior warden. He lies dead in the Grove Street Cemetery, beside Jehudi Ashmun.
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